I
actually remember watching Steven Spielberg’s “Jaws” growing up and never did I
once think or acknowledge it as a “scary” film. It was a source of comedy and
the basis for many playground games and bubble bath entertainment. Knowing now
the technicalities of film, I understand clearly why and how a film based
around a twenty-five foot great white shark, hunting in the ocean waters of a
small beach town called Amity, would be categorized as a “horror/thriller.”
At
first you would think the resolution would simply be that people should just
stay out of the water until the shark moves on. After really paying attention,
though, the viewer really discovers what a brilliant idea it was to build the
tension of the premise by putting the livelihood (a.k.a. the survival) of the
entire town (that depends on the visiting tourists on one of the most beach-going
days of the year) at stake. What adds to the suspense of Jaws, in addition to
the fact that you don’t see it for most of the beginning of the film, is that
seeing the fin alone is like seeing the tip of the iceberg—you just don’t know
how big the “enemy” really is. Using camera angles to mystify the shark, but
focus on the actors’ emotions and emotional responses also allowed the suspense
to build.
As
well, the reader is never really given an explanation of why the shark would
suddenly develop a blood thirst for humans. To deliberately go after a human
shows an evolution in purpose within the mind of the shark leveling the battle
of wits and intelligence between it and mankind. Unlike the shark films that
followed that had sharks scientifically enhanced in one way or another, the
fear of the unknown—a possibility that that could really happen naturally—builds
on the already pending fear that comes with wondering how much smarter could
and will it get.
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